Programme

18nov

Panel

3 Puertos

How to dimension a film’s cinematography based on the script, according to plural points of view

18h

Live broadcast

Contemporary cinema has been proposing increasingly diverse production formats. These new work proposals result from close dialogues within the teams of each film. The direction of photography is a fundamental part of this invention, assuming the role of a structuring dialogue between the needs of the direction and production. This panel will debate, from the different perspectives of members of the collective DAFB who work on different cinematography fronts in the audiovisual industry, the creative and technical reading of a script as a project planning tool for decision making, even before pre-production. Together, they will talk about how to anticipate, based on the project, the specific needs of each film with regard to the formation of camera, electrical and grip crews, in addition to foreseeing, for each department, the types of equipment that may be favorable, disposable or essential, including on after-set stages, until post production.

Panelist

Andrea Capella

Bárbara Lopes

Flora Dias

Julia Zakia

producer

Luísa Cavanagh

16nov

Panel

3 Puertos

From Writing To Editing - Narrative Approaches

11 AM

Live broadcast

Based on their experiences with fiction and documentary films, Marcelo Gomes (screenwriter and director) and Ernesto Soto (producer) present a review of the narrative processes and devices that consolidate a story. From the peculiarities of their first works, such as Viajo porque preciso, volto porque te amo, and recently the documentary Estou me guardando para quando o carnaval chegar, the filmmakers work with all the mechanisms - from writing to editing – available, and shape the film from a unique perspective.

Panelist

Marcelo Gomes

Ernesto Soto

Paula Astorga

Cultural producer

10nov

Panel

3 Puertos

Film Editing

5 PM

Live broadcast

Three renowned film editors, who tutor the 3 Puertos Cine - Montagem, reflect on the possible editing constructions based on the primary elements of cinematographic language: editing that builds the meaning of the film and tells the story through time. The three professionals speak from the perspective of their own works and also the perspective of the work as editing advisors.. Os três profissionais falam desde a perspectiva de seus próprios trabalhos e do trabalho como assessores de montagem.