18nov
How to dimension a film’s cinematography based on the script, according to plural points of view
18h
Live broadcast
Contemporary cinema has been proposing increasingly diverse production formats. These new work proposals result from close dialogues within the teams of each film. The direction of photography is a fundamental part of this invention, assuming the role of a structuring dialogue between the needs of the direction and production. This panel will debate, from the different perspectives of members of the collective DAFB who work on different cinematography fronts in the audiovisual industry, the creative and technical reading of a script as a project planning tool for decision making, even before pre-production. Together, they will talk about how to anticipate, based on the project, the specific needs of each film with regard to the formation of camera, electrical and grip crews, in addition to foreseeing, for each department, the types of equipment that may be favorable, disposable or essential, including on after-set stages, until post production.