Welcome to the third edition of BrPlot!

Anunciar a edição de 2019 desse nosso evento dedicado ao debate do roteiro traz um orgulho enorme e uma satisfação tremenda. Como um personagem, o BrPlot chega a esta edição mais forte, depois de passar por algumas provas de fogo e dilemas desafiadores. Tal qual um protagonista convicto de seu objetivo e com uma disposição enorme para se transformar com os desafios que a vida lhe oferece, estamos revigorados e mais maduros. 

Acompanhe abaixo como foi a programação!

2019 programme

03oct

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Opening – Panel 1 | The Screenwriter and the Audience

7:30 PM

Espaço Itaú de Cinema Augusta 4

Is it possible to think that some stories are more likely to reach a wide audience? Or is it all the work of great chance and luck? Or is the script not as relevant as the marketing budget? For this debate, we invited three experienced screenwriters who have written many popular works.

04oct

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Panel 2 | Narrative Genres

3 PM

Espaço Itaú de Cinema Augusta 4

A central question serves as starting point for this panel: is there room in the Brazilian market to write gender narratives? What has been the experience of screenwriters who have written terror, thriller, action and even Brazilian superhero narratives? For this panel, we invited some of the most successful Brazilian writers of recent years.

04oct

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Panel 3 | The Screenwriter's Rights

5 PM

Espaço Itaú de Cinema Augusta 4

An overview of Copyright Law in Brazil. Thiago Dottori, GEDAR vice president and ABRA counselor, along with lawyer and copyright specialist Paula Vergueiro, will talk about the current copyright situation in Brazil. Thiago will also talk about copyright in the world, especially in Europe, where he recently visited the SSA, SWISSIMAGE and SACD Managing Societies.

05oct

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Panel 4 | Heads of Writter's Rooms

3 PM

Espaço Itaú de Cinema Augusta 4

Writers’ rooms are an increasingly common creative practice in the Brazilian audiovisual environment. Especially for series, episode creation has been happening collectively. But how do these rooms work, and what specific role does the head screenwriter play? Should the head screenwriter continue to move along the production stages, or does his work end with the writing team's work? For this debate, we invited writers who have already led teams in series produced for different players.

05oct

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Panel 5 | Real Characters, Fiction Stories

5 PM

Espaço Itaú de Cinema Augusta 4

What are the challenges faced and strategies used by screenwriters working on fiction projects based on real people and stories? At the panel, writers who have several scripts based on real characters.

05oct

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Panel 6 | Original Brazilian Stories

7 PM

Espaço Itaú de Cinema Augusta 4

Where have Brazilian screenwriters sought inspiration to create original and authentic projects? In a scenario where productions are growing in number and originality is increasingly sought, how have Brazilian screenwriters created fictional universes based on our references? Are there unexplored worlds? Is the universal at every corner? For this table, we invited screenwriters with recently released series and soap operas.

Sponsors and partners 2019

Patrocinadores e parceiros 2019