The simple task of writing this text forces me to review, each year, a little of BrLab's trajectory. When we started to build this platform in 2011, it would have been impossible to size the amount of challenges that we would have to face in order to continuously perform and finance the activities that make up the BrLab. Words fail me to explain the vast number of ups and downs and battles fought to ensure BrLab's uninterrupted financing, amidst not only the country’s storms, but also the capabilities and possibilities of our partners and sponsors, changing every year.
Throughout this trajectory, despite the efforts needed to carry out the project’s activities, we were able to establish an efficient space for cooperation, testing experiences and investing enough work and thinking to find a format that would also meet the expectations of different partners and the interests of a public that went beyond the laboratory's core activities. Throughout the eight editions, we were able to promote several meetings, learning and teaching experiences that contributed not only to the 92 projects that have already participated in BrLab and the related professionals, but also to the laboratory itself, which has also improved as a training space that effectively qualifies the professionals, contemplating the fundamental yearnings of filmmakers and producers while promoting activities and market meetings.
It also took a few years for us to learn how to connect with a broader audience without distancing ourselves from our vocation, and today we are able to celebrate the continued success of BrPlot, an open program composed of a series of tables and debates open to the public in general, and with the participation of renowned writers and authors from Brazil and the world. This activity is carried out through a very valuable partnership with Thiago Dottori, who signs the program, and also with ABRA, which since last year has been an institutional supporter of BrLab in an increasingly fruitful collaboration.
For the first time, we will have a Rough Cut Lab, in partnership with the international platform 3 Puertos Cine, and will offer four films that have participated in previous editions of BrLab or 3 Puertos Cine the chance to work with important Latin American filmmakers and worldwide. This activity represents an opportunity for project development spaces such as ours to follow certain projects more closely, in an environment of trust and training, also leading us to think about and understand our own reach.
This year, we finally had the opportunity to launch an editorial label, thanks to the sponsorship of BRDE, Ancine and the Audiovisual Sector Fund, through a partnership with the Audiovisual Secretariat of the Ministry of Culture, which brings a series of interviews with one of the main scriptwriting consultants of Latin American cinema. "Eliseo em 100 perguntas" is our first publication, a meeting of Julio Rojas with Eliseo Altunaga, who since 2012 has been collaborating and advising projects under development, in addition to being a frequent guest of BrLab and one of the most generous professionals with whom we have had the privilege of working with.
In the midst of financial inconstancy and institutional weaknesses, one aspect that has always been solid, and is increasingly getting stronger, is the affective network of cooperation between renowned professionals in the international market and Brazilian and foreign institutions. Year after year, they meet at BrLab to celebrate cinema and share knowledge in creative ways, focusing on the production of new films and training of professionals for an increasingly fundamental sector for a country’s culture and economy. This network, which is certainly BrLab's largest asset, also contributes to the integration of the Brazilian audiovisual industry with the cinematography and markets of our geographical environment, encompassing Latin American countries, Europe and the whole world, further strengthening the BrLab initiative as an international market event that has already become traditional in a metropolis as cosmopolitan as São Paulo.
Within this network, we highlight in 2018 the new partnership with RT Features, fundamental in this especially difficult year for the full implementation of our program’s activities. It is one of the few companies that are sensitive and attentive to the importance of the continuous existence of this space as an event of international relevance, which turns it into a structuring part of this network, formed this year mainly by the team of tutors, professionals from Brazil and abroad, supporting institutions and companies, as well as our entire production team and Klaxon Cultura Audiovisual.
We hope that the future will enable us to continue to finance and promote the BrLab, and thus allow us to continue to learn and share our knowledge, serving as a platform for the promotion of projects and professionals in the region, and resulting in the establishment of international professional cooperation networks that extrapolate our own initiative.
Workshops
Lectures
AWARDS
VITRINE FILMES DEVELOPMENT AWARD
In the 8th edition of BrLab – audiovisual projects development, Vitrine Filmes, a partner of the laboratory since 2012, will award a Brazilian project for the second time. The Vitrine Filmes Development Award will be offered to one of the 6 participating Brazilian projects and will consist of an investment in the amount of R$ 70,000.00, linked to the contemplation of the distribution company by PRODAV 06/2017 Public Call, so that, in order to compete for the award, those responsible for the selected project must be compliant with the requirements of the abovementioned Public Call and follow all the contracting process guidelines. The execution shall follow PRODAV’s general regulation and the investment will be directed to the development of the awarded project. The announcement of the selected project will be made during the awards ceremony of the 2018 edition of BrLab, and the contracting process will be carried out directly with the grantor of the Award, in accordance with the norms of the public incentive. In 2017, the Vitrine Filmes Development Award was granted to “Criadas”, by Carol Rodrigues.
VITRINE FILMES ACQUISITION AWARD
Founded in 2010 by Silvia Cruz, Vitrine Filmes is a com- pany primarily dedicated to the distribution of Brazilian films, showcasing national films and independent world cinema through its international catalogue. In seven years, Vitrine Filmes has already distributed more than 90 films. The following are among its greatest successes: “Hoje eu quero voltar sozinho”, seen by over 200 thousand specta- tors; Kleber Mendonça Filho’s “O som ao redor”, named one of the best films of 2012 by the "New York Times"; the American production "Frances Ha", nominated for the Golden Globe in 2014; “Mãe só há uma”, by Anna Muylaert, director of the award-winning “Que horas ela volta?”; and “Aquarius”, Kleber Mendonça Filho’s sec- ond feature film, screened at Festival de Cannes and seen by more than 350,000 spectators in Brazilian theaters. Vitrine Filmes reaffirms its commitment to Latin American and Iberian cinema by supporting BrLab for the seventh consecutive year, offering an acquisition award to a foreign project participating in the lab’s activities. In 2017, the winning project of the Vitrine Filmes Acquisition Award was “Légua”, by João Miller Guerra and Filipa Reis.
FIGA FILMS AWARD
FiGa Films is an international producer, distributor and sales agency. Its ever-growing portfolio features award- winning films, recognized by critics and premiering at the world’s top festivals – such as “Pelo malo”, winner of the Concha de Oro at the Festival de San Sebastián. Founded in 2006, FiGa soon established itself as a truly independent voice for the best audiovisual production in the world, with a special focus on Latin America. Lasting relationships with a personal focus are key in the work of its co-founders, Alex Garcia and Sandro Fiorin. FiGa's mission is to select and acquire the rights to socially-relevant documentary and/or fiction film projects, and up-and- coming directors, seeking to license them internationally. As a co-producer, its first feature film, “Verano de Goliat”, by Nicolas Pereda (Mexico, 2010), won the Golden Lion in Venice. “Cinema Novo” (Brazil, 2016), Best Documentary in Cannes, and “El Amparo” (Venezuela, 2016), Best Film and Screenplay at the Mostra de São Paulo, are some of the most recent titles represented by the company. The FiGa/Br Acquisition Award will be granted to the Brazilian project participating in BrLab 2018 with the greatest potential for the international market. In 2017, the award was granted to “Criadas”, by Carol Rodrigues.
CINÉMA EN DÉVELOPPEMENT AWARD
Cinéma en Développement is a space designed for European and Latin American professionals to meet, without charac- terizing a market. The goal of this platform is to promote an interchange between professionals who seek talents and projects and directors and producers who are developing their films and want to strengthen their network. Cinélatino Rencontres de Toulouse and BrLab, since 2013, have joined forces to carry on in Toulouse the support grant- ed to Brazilian producers and directors with a project that will be jointly selected. Since then the projects “Paterno” (2013), “A morte habita à noite” (2014), “O filho plan- tado” (2015), “Sábado morto” (2016) were selected to participated the program. This alliance aims to give con- tinuity in Europe to the dynamic of guidance and support initiated in Latin America, offering this way an opportunity for one of the participant projects to benefit from a per- sonalized program that includes presenting the project on the “1-to-1” meetings of Cinéma en Développement, meet- ings with renowned industry professionals, case studies, and watching Cinéma en Construction screenings. Cinéma en Développement will take place at the professional plat- form of the Cinelatino 31thRencontres de Toulouse (March 22 to 31, 2019). The Brazilian professionals engaged on the chosen project will enjoy the support of the Brazilian National Film Agency – ANCINE for their participation. In 2017, the Cinéma en Développement prize was granted to Carol Rodrigues’s “Criadas”.
TFL UP & COMING AWARD
The TFL Meeting Event takes place every year in parallel with the Torino Film Festival, and it will happen on 23- 24 November 2018. This event is the annual showcase of the projects, talents and films developed at TorinoFilmLab, featuring a global co-production forum for independent feature films (with a focus on emerging directors), a pre- sentation of the professionals trained within the scheme, and a work-in-progress initiative. Last but not least, it is the moment to reward the best projects with awards & pro- duction grants.
In 2017 the TFL Meeting Event has been enriched by the launch of a new initiative: TFL Up & Coming. The aim of this action is to support emerging, non-European producers attending the TFL Meeting Event by offering them a special “welcome package” and enhanced visibility.
This selection of enterprising international producers will receive a dedicated guidance to the co-production forum and will be facilitated to navigate the fast-paced working context of the event. Furthermore they will benefit from a special, tailor-made plan of activities on November 22nd, aimed at connecting them with potential partners, widen- ing their industry network and, at the same time, empower- ing their knowledge and experience of European coproduc- tions, markets and funding.
TorinoFilmLab will create for them a specific programme of master classes and case studies, on the following subjects:
- How to co-produce with Europe
- European co-production markets and forums
- European funding and tax incentives
- World sales
All the above mentioned topics will be presented and examined in depth by highly qualified European professionals that regularly collaborate in TFL’s training programmes.
After these first dedicated training sessions, the TFL Up& Coming producers will join the other guests in the TFL Meeting Event programme, which includes: public pitches of TFL-developed projects, “1-to-1” meetings and network- ing moments.
To ensure the TFL Up & Coming producers maximum visibil- ity, their profiles will be incorporated in the TFL Catalogue 2018, each with a dedicated page. This will grant great added value in terms of exposure, which will help them to strengthen their connections with the industry. In 2017, the TorinoFilmLab prize was granted to Nayra Ilic, producer of the project "El otro lago", by Francisca Silva’s.
CONSULTORIA CESNIK, QUINTINO & SALINAS ADVOGADOS AWARD
CQS Advogados specializes in legal advice focused on planning, structuring and enabling business models for the entertainment, technology and non-profit industries, having contributed, since 1996, to the professionalization and growth of these industries in Brazil, becoming a reference. In the eighth edition of BrLab – Audiovisual Projects Development, for the second time, Cesnik, Quintino & Salinas Advogados will offer a legal advisory award, comprising up to six hours of legal advisory, to one of the participating projects. The award will be offered to the same project awarded by TorinoFilmLab and may be used for legal advisory involving Brazilian law or business model structuring.
TRIBECA FILM INSTITUTE AWARD
Tribeca Film Institute will select one (1) feature fiction proj- ect participating at BrLab 2018 to attend the TFI Network co-production market at the 2019 Tribeca Film Festival. The Award will include a US$1.500,00 travel stipend to help cover expenses to be in New York for 3 days in April. In 2017, the Tribeca Film Institute prize was granted to Vera Egito’s “Sahar”.
C/AS4TRO AWARD
C/as4atro is a collective of executive producers with different and complementary expertise in audiovisual production, consulting and mentoring for feature films and TV series.
Founded in November 2016, the collective began its trajectory by providing production consulting services for several projects, among them the TV series “Filhos do mar” by Flo Filmes, based in Goiânia; “Felipa e o foguete”, a telefilm by Pira Filmes, in Goiânia; “O reflexo do lago”, by Claritê Produções, in Pará, which was recently contemplated in Prodecine 5; the series “Matches”, by Midigal Filmes, Rio de Janeiro; “Expedicionários do Brasil”, by Schurmann Filmes, São Paulo; Canal Futura, among many others. We were responsible for the executive production of the TV series “Insustentáveis”, produced by Cérberos Filmes (MT) and coproduced by Vermelho Filmes (SP), shot in Chapada dos Guimarães.
In the area of education, we are involved in Ancine’s FSA/ PRODAV 4 development laboratories with Klaxon Cultural Audiovisual, we teach courses and classes at the Centro Cultural BARCO and Instituto de Cinema in São Paulo, as well as workshops at festivals and courses in partnerships with institutions throughout Brazil, such as Icumam Lab in Goiânia and Sebrae.
Because we believe that we can, and must, be the change we want to see in the world, we provide consulting aimed at reducing the environmental impact of audiovisual pro- ductions, through Cinema Verde. We are Ariene Ferreira, Daniela Aun, Mariana Brasil and Mylena Mandolesi. We are 4 women who, together, strive to create new forms of work that bring autonomy, prosperity and respect, through a healthy environment.
Our intention is to democratize our talents and thus em- power others, throughout the country. We are transmitters of knowledge; we weave our day-to-day with ideas, creating possibilities and partnerships.
And this year, in partnership with BrLab, we will award 1 project with 06 hours of consulting in executive produc- tion. From production planning to one-off issues involving financing schemes or specific question about the audiovisual sector, negotiations and partnerships, our goal is to stream- line processes, unlock steps and, together, create a healthy and viable production. In 2017, the award was granded to “Nxiamu”, by Maurílio Martins and Thiago Sobreiro.